About
An intimate look into the personal lives of pop music's greatest and most influential artists.
Cast
Seasons
Episodes
Season 1
Milli Vanilli
Girl, you know it's true…but unfortunately it wasn't, for the 80's dance duo whose Grammy-winning triumph turned sour when their producer revealed that his hunky proteges were shaking their booty to someone else's song. The ensuing humiliation led to the suicide of Rob Pilatus, whose anguish is palpable in these final interviews. Milli Vanilli, Rob Pilatus and Fabrizio Morvan won the hearts of millions, but when their deception was revealed after their win of a Best New Artist Grammy, the public’s shock and disappointment gave way to contempt. The two lip-synching hunks became the butt of jokes and were ostracized by the music industry.
MC Hammer
The dawn of the 1990's was unquestionably Hammer time. A scrappy striver from Oakland CA. named Stanley Burrell took hip-hop to P.T. Barnum scales: baggy trousers over rubbery legs, sizable samples of past hits, commercial endorsements galore. But the MC Hammer show was also "fun for the family," which, as Hammer pal Arsenio Hall notes, hardcore hip-hop heads despised. By the middle of the decade, Hammer's commercial viability - not to mention his huge fortune - had somehow vanished. Still "too legit to quit," MC Hammer then downsized, pledging to bring his positively charged hip-hop back to the top. BTM brings you the particulars of each Hammer epoch.
Boy George
In 1984, George O'Dowd accepted a Grammy Award for Culture Club by quipping that America "knows a good drag queen" when it sees one. And Boy George was not just a good drag queen, but a drag queen with a tremendously soulful voice, fronting one of the '80s' best pop bands. And yet, there was trouble from the start. If George's affair with Culture Club drummer Jon Moss lent emotional authenticity to the band's hits, it also jeopardized the band's ability to work together, as each Clubber attests to Behind the Music. Once Moss rejected George once and for all, the singer rapidly descended into an abyss of heroin addiction. At a 1986 anti-apartheid benefit, George was so out of it that fellow pop stars recoiled from him. After his brother publically spoke of George's problems, the singer finally took the steps to recover. Healthy and happy these days, George only regrets now that Moss has yet to acknowledge the extent of their relationship.
Fleetwood Mac
A successful British blues band in the '60s, Fleetwood Mac became the legends we know today when they hooked up with a young singer-songwriter couple who were almost ready to give up the biz. Stevie Nicks and Lindsey Buckingham brought passion, looks and incredible vocal harmonies to the moody intensity of Fleetwood Mac. Their relationship wouldn't survive past the first album, nor would that of longtime members Christine and John McVie, but all that heartbreak fueled the fire of Rumours - a modern pop masterpiece which would become one of the best-selling albums of all time. As they embarked on their 30-year Reunion Tour in 1997, all the members of this "dysfunctional family" checked in with Behind the Music to muse on the drugs, the dough, and how it feels to attract a whole new generation of listeners after all these years...
Nowhere to Hide
This cautionary episode of Behind the Music documents the growing menace of stalkers. Considered by some the "prototype" for fans who take their celebrity obsessions to dangerous and often criminal extremes, John Lennon's murderer, Mark David Chapman, is the focus of this investigative piece. With a detailed account of the events of the day he shot the former Beatle; to interviews with Chapman conducted during his prison sentence; comments from his psychiatrist and the photographer who caught Lennon and his killer on film; BTM paints a frightening picture of a deranged individual who is up for parole this year. Security consultant Gavin de Becker outlines warning signs. Lilith founder Sarah McLachlan comes forward about her own terrifying experience and the song ("Possession") that came out of it. Two real-life stalkers explain their motivations. Bjork's victimizer records himself on video just moments before his suicide.
Imagemakers
Rock 'n' roll wouldn't exist without its image, and it's been the job of rock photographers to capture that divine union of talent, passion and style that makes a singer a star. Ever since Elvis Presley melted the camera lens with his wiggling hips and pouty lips, fans have hungered for that uncensored intimacy with their idols. BTM gets inside the visionary minds who created the iconography of rock 'n' roll: from the German photographer who gave the Beatles their mop top haircuts, to Andy Warhol and his classic album art, to the young upstarts whose work appeared in the influential rock magazine Rolling Stone and eventually defined a culture. Annie Liebowitz talks about how Yoko Ono's sudden camera shyness turned into one of her greatest photographs, and fashion imagemakers like Herb Ritts talk about how they made the shift from print to video when MTV opened the doors for a whole new mode of expression.
Lynyrd Skynyrd
This episode marked the 20th anniversary of the infamous plane crash (10/20/77) with a special episode on the bad boys from Jacksonville, Florida who put Southern Rock and Roll on the map with classic songs like Freebird and Sweet Home Alabama. During the seventies, they released a string of million-selling records and performed to sold out audiences in the U.S. and Europe. Fronted by their charismatic leader, Ronnie Van Zant, Lynyrd Skynyrd had it all until the pressures of stardom led them down a road of violence and alcohol abuse that resulted in countless fights, arrests, and car wrecks. Interviews with the surviving members of the band and the families.
Teddy Pendergrass
Teddy's early experiences in life and music: "I wasn't raised with baby-sitters, my mother couldn't afford to have someone watch me. It just didn't work like that in the ghetto so because of that I had the unique opportunity to see the artists come in and out that would play the supper club (where his mother worked). It was exposure for me.On Melvin and the Blue Notes: "What I learned was priceless; I learned how to entertain. I learned how to be the best at what I could be."On the accident of March 18, 1982: "It was the most horrible experience I could have ever had in my life."His feelings after the accident: "You want to know what's going to happen to you, the hell with whether or not I'm going to sing...you go back to the basics. 'What does this mean for me?'"On Live-Aid, his first performance after the accident: "I felt relieved like a big load had been lifted from my back... I felt 'OK' so we can do this. It was one more hurdle that I had crossed."On his song Truly Blessed: "The song was natural for me to do. I wanted the world to know how I was feeling. And if there was anyone that was wondering 'Am I getting along, or what my thought's were." I was saying, 'I'm fine, this is where I am.'"On walking again: "Anything can happen tomorrow. If the technology is there tomorrow, I'll be right there in line, but, until then, it is more important to try to achieve things while I am here."
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